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By Barnabas Abraham · 23 July 2014
Together We’re Heavy by The Polyphonic Spree demonstrated the band's ability to hoist their carefree attitude to genre against a beautifully crafted framework.
By Staff · 18 July 2014
With spring out and the summer sun vying for attention, take a look at our list of essential summer albums so you can craft your soundtrack for the unfolding season.
By Susan Kemp · 16 July 2014
Post-punk revivalists The Futureheads released their 2004 self-titled album to a UK music scene that was ready for something artsy, less choreographed, and, well, weird.
By Ryo Miyauchi · 09 July 2014
Blueberry Boat by The Fiery Furnaces serves more as a curiosity of its time than a signifier of any sea change a decade later after its release.
By Travis Block · 02 July 2014
After a six year hiatus, the Beastie Boys returned in 2004 with the 9/11-minded To the 5 Boroughs - resulting in an album that may not be a highlight of the band's discography, but is still worth a spin or two.
By Ian Cory · 25 June 2014
We look back on My Chemical Romance's Three Cheers For Sweet Revenge, and the debts that are owed to it.
By Ray Finlayson · 18 June 2014
The Killers debut 'Hot Fuss' was full of singles, but lacked the refining touches needed to make a great album.
By Cameron Deuel · 16 June 2014
The self-described "part record club, part music journal" music subscription service, Singles Club, utilizes the strengths of both digital and physical formats to share talented artists on the rise.
By Kimberley Ballard · 13 June 2014
This month's Cassette Club is written by the founder of Graveyard Orbit, who tells us about the genesis of his label and describes his involvement in Austin's burgeoning cassette scene.
By Kaelin Bougneit · 11 June 2014
Ten years ago, Secret Machines made Now Here is Nowhere, a masterpiece of modern space-rock that should never be forgotten.
By Jessica Stacy · 04 June 2014
Eccentric and sublime, Sasquatch 2014 showcased an enthralling mix of up-and-coming artists and old favorites.
By Ryo Miyauchi · 04 June 2014
'Let It Die' made its name from avoiding the pitfalls of oversharing, but Feist certainly had a lot to give, and her magic to light up the room still goes strong.
By Kaelin Bougneit · 29 May 2014
The six albums described in this feature are the most important pieces of music that we will simply never hear.
By Cameron Deuel · 28 May 2014
The Streets' rap opera, 'A Grand Don't Come For Free', is broken down SparkNotes-style to show how the characters and events are still applicable to life ten years later.
By Staff · 23 May 2014
It goes without saying that we love music, but we also love books. In the first edition of the Unrecorded Book Club, check out the team's favorite books about music, from artist biographies to music journalism.
By Staff · 22 May 2014
This year's Sasquatch! Festival is jam-packed with fantastic acts. If you can't decide who to watch during the three-day festival, Cameron and Travis can help narrow your choices down with their selection of nine must-see acts.